CGD Podcast Ep. 31 – permadeath, structure, the death of game design writing, and more

Hello everyone. Today I’m talking about a new article I read about permadeath/grinding, as well as what I perceive as the death, or at least curving off of, the world of game design writing.

I also read and responded to a Frank Lantz quote (now on the Dinofarm Forums!) on the topic of structure in games and win rates.

You should also check out the game design subreddit if you haven’t already: http://www.reddit.com/r/gamedesign

(By the way… beware the term “beautiful”.)

As always, you can support the show by visiting my Patreon page.

Minimize calculation (in games worth playing)

This is a short follow-up to my article, “Uncapped Look-Ahead and the Information Horizon“, in which I proposed the concept of an information horizon: the distance between the current turn, and the point at which information becomes known to a player (usually, but not always, this means that it has become “public information”).

A simpler way to word it is, “how much time do players have to react to new information?” In the case of rolling a die to hit, you have zero time to respond, so in this case the “information horizon” would be right up in the player’s face. Alternatively, drawing cards to a public market or revealing new terrain via fog of war tends to lend the player a few turns / some time to respond to that new information before it affects the gamestate.

I also discussed the issue in Episode 6 of the 3 Minute Game Design YouTube series.

This concept is important because one of my guidelines for strategy game design is that, as I talk about in the video, if the information horizon is too close, the line of causality and the final outcome quickly starts being disassociated with that of the player’s performance—which is what we’re trying to measure in a strategy game, after all. If the information horizon is too far away, we get a “look-ahead contest” situation where it largely comes down to who calculated (solved) more of the available game state. This is mostly a brief review of things I’ve talked about the above linked articles/videos.

The new thing I want to suggest today is: Assuming a reasonable degree of goal feedback efficiency, we should strive for as little calculation as possible. To phrase it another way, in any game that’s good enough to be worth playing, you should try to minimize the amount of calculation that’s possible.

A reasonable degree of goal feedback efficiency

When we look at a game, “goal feedback efficiency” is a rough approximation that we can make that describes how accurate the end state of the game is with regards to player performance. A game with perfect goal feedback efficiency would give a win to the player who made stronger inputs 100% of the time. A game with good goal feedback efficiency would give a win to the player who made stronger inputs somewhere about 90% of the time.

Every game needs to have a pretty high degree of this, without exception. I’m not sure what the number exactly is, but I would say if it gets much lower than, say, 85-ish%, it starts becoming hard to “trust” a game. If you have less efficiency than that, it becomes hard to defend playing the game.

I would not play a 75% efficiency game. Why? Because a quarter of my matches are sending me false signals about my performance. That might not sound like too big a deal, but it becomes a very big deal when the player has no way of really knowing which matches are the false signals and which aren’t.

The classic answer to this problem is that figuring out which matches to believe and which to chalk up to randomness is part of the skill of the game. First, this strikes me as an attempt to make excuses for what exists, rather than an actual suggestion about what makes for good game design.

But beyond that, I don’t think that this is possible in an unsolved game. It’s hard for me to believe that a person could play a complex game, barely cling to enough understanding to pull off a win, and then also, on top of that, have enough additional systemic understanding to determine that this win was because of random effects and not their own agency. In other words: if you have a balanced game, players will be understanding the system just well enough to win or lose – they will be playing at their maximum capacity. So it’s unreasonable to expect players to be able to also interpret their win/loss as to whether it’s just based on randomness or not.

Ideally, games would have a 95+% efficiency rating, and I actually don’t think that that’s too hard to pull off. It doesn’t mean you can’t have some random variance; it just means that the random variance should be sufficiently input variance so that players can account for it, and to the extent that there is some output variance, they’re small enough in impact and there are enough of them so that they mostly average out. Hundreds of small (+-10%) random damage variance over the course of a match is probably OK, but a couple of critical card-draw failures throughout a match probably isn’t.

This is actually a pretty practical concern. Having a low efficiency rating means it will simply take the player too long to explore your system. In the finite number of hours they’re going to give your game, the amount of “effective depth” (depth the player can access) drops quickly after 95% and then plummets when you go much lower.

Of course, today’s game players who are used to playing stuff like Hearthstone will probably do it anyway, but for game designers who want to potentially someday make something better than Hearthstone, it is critical that we understand and internalize this idea.

 

…As little calculation as possible

So, if you’ve got this roughly 95% efficiency rating (which you should!), then we can ask the question: how much calculation should your game allow for? Or put another way: where should your information horizon be? Quick definitions:

Quickly, a couple of terms: Calculation, for the purposes of this article, means solving. It means literally following logical courses of action to their deterministically guaranteed outcomes. When one does “look-ahead” in games, they are typically doing calculation. Sifting through public, deterministic game states in Connect Four is a great example of calculation.

Analysis, on the other hand, is a word I use for the kind of “thinking” in games that doesn’t fall in that category. When you can’t calculate, you use a looser, heuristic estimation process, and I call that analysis.

So back to my claim:

Assuming a reasonable degree of goal feedback efficiency, we should strive for as little calculation as possible.

Obviously we can create a game with zero calculation – perhaps something like the card game War, or maybe (a single match of) Rock, Paper, Scissors. In these, we’ve brought the information horizon to “right up in your face” – once the other player has played Rock, you can’t do anything about that. But we’ve also destroyed our goal feedback efficiency. Wins have nothing to do with player performance.

The point is, you do need some degree of determinism in games; some “causal line” that goes from the player’s input and stretches out into the system to some extent. But by using input randomness smartly and carefully selecting the position of the information horizon, you can (and should) reduce the calculate-able (solvable) parts of your game down to a reasonable level.

This isn’t just a matter of “balancing” goal feedback efficiency and calculation. It’s much more like, goal feedback efficiency has a floor that it really just can’t go below (95, mayyyybe 90%) no matter what, whereas calculation is much more flexible.

This is because the downside to too much calculation is that the game is a little too solvable, but still totally skill based. In short, it’s a little bit too much like Chess. It’s kind of OK for games to lean into being a little bit Chess-like.

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The downside to too little goal-feedback-efficient is that the game becomes indistinguishable from noise, and totally unplayable to anyone who’s alert to this kind of problem. Granted, there are a lot of people who will happily play this kind of game anyway, as so many popular games fall into this category these days, but my writing has never been about “game design guidelines that help you make games people won’t know better than to play”. My game design guidelines are about helping you make good games.

If you build a strong system, with a well-placed information horizon, this new guideline is going to be met somewhat naturally. But it’s another way to test a system you’re already working with and to understand the information horizon concept.

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CGD Podcast Episode 27: Broad Statements with Richard Terrell

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Had a great conversation with Richard Terrell, designer of Bara Bari Ball who’s currently working on designoriented.net. He’s also been on the podcast before, so I would go back and listen to Episode 6 where we spoke earlier this year.

The conversation went really well. We talked about language, “broad vs. narrow statements”, Auro and its reception, and a lot more.

Enjoy!

 

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CGD Podcast Episode 25 – On FPS Games

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This week, I’m talking about FPS (First Person Shooter) games, something I’ve spent a good chunk of my life playing. I think we really misunderstand these things, as the correct distinction is probably just “shooter” – and probably it’s time that we moved on from them.

 

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The Default Number of Players is One

I did a Twitter poll recently:

Most people (almost half!) voted that there “is no default/ideal”. That probably sounds like a safe, reasonable choice, but it’s really a pretty bold claim to say that there is no default or ideal – certainly at least as bold as any of the other options.

In second place was “2 player”, which did not surprise me. What did surprise me was how close the margin was between “2 player” and “3+ player”, though. I would have expected the breakdown to be more like 40% “unanswerable”, 40% “2-players”, 20% “3+ players” and basically no one voting for 1 player. Actually, I still kind of think that if more people took the poll, it would probably head more in that direction. Continue reading “The Default Number of Players is One”

CGD Podcast Episode 23 – “On Games At the Games”, A Conversation with Frank Lantz

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This week I had a great conversation with NYU Game Center director Frank Lantz about randomness and general game design philosophy. We meant to get to three other topics – execution, reading and improvisation, but not all-that-surprisingly, we never got there in the 70+ minutes of this episode.

Mentioned in this episode:

Frank’s “Against Design” article

David Deutsch’s The Beginning of Infinity

Nassim Taleb’s The Black Swan

Nick Bostrom’s Superintelligence

 

Let me know what you thought of the conversation in the comments below (if you’re lucky, Frank may even be hovering nearby to respond!)

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