What does it mean when something is a “classic”? I think there’s actually a huge problem here that needs to be explored. New work is created using new cultural and scientific understandings, and it’s universally better in almost every case. We need to understand and appreciate this fact, and stop glorifying things just because they’re old.
In this episode, you’ll also hear me talk about classic games like Go and Chess, as well as talk about a better distinction between art and entertainment. Enjoy, and let me know what you think below.
I had a conversation with the main developers at Black Shell Games – Daniel Doan, Raghav Mathur, and Thomas Espinoza – on the topic of Rogue-likes, a design pattern that has appealed to both of us. In the episode, we cover topics like the relationship between Rogue-likes and gambling, grinding, difficulty, replay value, and other related concepts.
I have described the four essential “forms” of interactive entertainment, based on four distinct values that these four types of play produce. You can get a more in-depth introduction on these forms by reading this, but I’ll quickly break it down here.
First, you start off with a “bare interactive system” – this is an interactive system that has no goal. I call this the toy. Add a goal, and you have a puzzle. Allow for measurement, and you have a contest. Obfuscate the gamestate (allowing for decision-making) and you have a game.
I would say that the vast majority of people roughly agree with me on the first two forms, toy and puzzle. This makes sense – it makes sense that we would understand these forms first, because they are the simplest. Continue reading →
While it’s tempting to think otherwise, computers are the best tool we have for pursuing great game designs. In this episode, I also talk about how “abstract” games are problematic due to low information density, the information horizon, and a lot about the medium of board games.