Are Games a Storytelling Medium? (Guest Article by Fabian Fischer)

Editor’s Note: One of our most active Auro beta testers, Fabian Fischer (aka “Nachtfischer”), had written this great piece for his German-language site.  We’ve been talking a lot about story in games on our forum, and I decided it would be great if Fabian could translate and update this article for my site, and that’s just what he did.  I think it pretty much nails why authored story and interactivity don’t go well together.  Enjoy!

 

A while back, Mr. Burgun wrote about this issue. Nevertheless, since there is still a frequent and passionate debate on the matter, so I thought it would not hurt to approach it from a slightly different point of view and throw some new arguments into the mix.

 

Definitions

  • Story in the context of this article describes an authored, linear (not necessarily chronologically linear) sequence of fictional events.

  • Game specifically means a contest of ambiguous decision-making; most readers of this site should be familiar with this.

(Some games look like movies.)

Continue reading

New Page for my System of Interactive Forms

Just a quick announcement, I’ve added a page that clearly explains what my system of interactive forms is and why it’s useful.  After years of working with it, I actually feel even more confident in it, although I have made some minor tweaks and have learned to explain it much better.

If you’ve read my book, you’ll notice that this is a much more detailed version of the same chart.  I’ve now added the “value” property to it, which I think helps illustrate why it’s generally a good guideline to hone in on one of these forms when approaching game design.

 

http://keithburgun.net/system-of-forms/

 

Let me know what you think and if you see any room for improvement or other explanation.

Smash Bros: Decapitated

Editor’s Note: Today I’m happy to release the second guest article for keithburgun.net!  This piece is written by lead artist at Dinofarm Games, Blake Reynolds.  Frequent visitors might also know him from the Dinofarm ART BARN articles or from the Game Design Theory Podcast, where he’s a regular.  Enjoy!

psall1I know I’m late to the party, but considering the subject matter, I suspect many have already left anyway.  The party I’m talking about is a rousing discussion about PlayStation All-Stars Battle Royale.  I think the reason so many have departed is because the game was boring and forgettable, but many of these people might not have a full grasp as to what made it so boring and forgettable. Those who are still playing and are trying their very hardest to like or justify this product won’t last much longer, and I’ll explain why.

Most of the flak this game has caught in the past number of months has been quiet little suggestions that it is, well, a little bit similar to Super Smash Bros.  It has features such as Smash Attacks like SSB, directional tilt-attacks like SSB, rolling like SSB, air dodging like SSB, blocking like SSB, double jumps and recoveries like SSB, “A” attacks in four directions on the ground and four in the air,  “B” attacks in four directions, grappling from SSB, projectiles like smash, spiking, items… you know… every single mechanism to the last minute detail.

This complete thievery alone is enough of a blatant, cynical display of utter disrespect for the basic intelligence of the average consumer, and that’s enough to be insulting.  But hey – people re-skin a set of mechanisms all the time. Re-theme it, tweak a few rules, and voila!  “If you liked original idea X, you’ll love cynical cash-grab Y!”

But plagiarism is not actually the point of this article. A game can technically be a ripoff of another game and still have longevity, if it’s ripping off something really good and keeping what made the original thing good intact.  The point of this article is to explain why will nobody be playing PlayStation All-Stars next year, yet even Super Smash Bros. 64, the oldest game in that series, is still going strong. The reason this game will be forgotten in another year is because of what they changed, not what they stole.   Continue reading

Introducing: EMPIRE

StyleSketch1Today I wanted to introduce people to a new game that I’m designing called EMPIRE.  In order to do this, I think it makes sense to first talk about what already exists, and then talk about what I’m doing that’s different.

EMPIRE is my take on the so-called “4X Strategy” genre of digital games.  I’ve always been a fan of games like Civilization, and even more so of Master of Magic.  I do have a number of problems with the genre, problems which have not been getting better.  For instance, Civilization V, the latest game in the Civilization series, did not correct most of the games worst problems.  You can read about my problems with that game, which are fairly similar to my problems with just about every game in the genre, here.

Suffice it to say that with EMPIRE, I have an opportunity to do what I did for 4X games what AURO does for roguelikes:  namely, find some kernel of an actual core gameplay mechanism, and build a carefully constructed system around that.  So unlike most videogames, this game will be system-based, not component-based.

Why does that actually matter?  Well, because it means that we can have an elegant design, which in turn means that we can have a system that’s both extremely easy to learn, and equally difficult to master.

In short, EMPIRE is a modern, elegant solution to the problems of 4X strategy games.

What Is EMPIRE?

EMPIRE is a game centered around the concept of maintaining a growing set of resources.

I often start with some thematic metaphor to help me in designing a game, and with EMPIRE, that metaphor was one of “the rise and fall of an empire”.  I think it’s very interesting and dynamic how a real life empire can grow more and more powerful, but sort of break under the pressure of its own weight after awhile.

I’ve also been playing a lot of Puzzle Strike, and before that, Dominion, and I feel that the “deck-building” mechanism is a fantastic way to express that.  So, the “set of resources” that you’re maintaining in EMPIRE are digital “cards” that you use in battle and win from victories.

So, in a sense, EMPIRE is the world’s first Deck-Building 4X Strategy game!

Right now, the game is in an early alpha stage, so you should expect some of what’s written here to change in the coming months as more playtesting begins.  Also, keep in mind that all screenshots and such are very early – excuse the temporary buttons and such!

Working Alpha prototype.  Forgive the temporary art and menus!

Working Alpha prototype. Forgive the temporary art and menus!

EMPIRE In Detail

EMPIRE is not only built to avoid the pitfalls of traditional 4X strategy games, but it’s also built primarily for mobile, and the game is being designed around this.  I’ll explain some of the rules to show you how it works.

Essentially, EMPIRE is a war-game.  This puts it in stark contrast with most other 4X games which have a more toy-like “do whatever you want” feeling to them much of the time.  In this game, you are trying to conquer other civilizations in a constant need to take new territory.  Eventually, your civilization will fall, so it is a matter of surviving for as long as you can and winning as many battles as you can to achieve the highest score possible.  To return to the metaphor, you could say that this reflects entering your empire into the textbooks of history as one of the world’s greatest.

When you start the game, you have enough resources to found one city.  When you do create a city, that city starts sucking up resources from the surrounding tiles each turn.  Eventually – and this is one of the most different things about the game – those tiles will produce fewer and fewer resources, until they finally become “desolation” tiles:  scars on the earth that not only produce no resources at all, but actually spawn dangerous monsters.

So, this means that you must stay on the move to keep a steady flow of resources coming in.  And if you don’t keep that steady flow of resources coming in, and a nearby Empire does, well, then you can guess that he’ll likely overpower you.  So, there’s a natural struggle for new, un-desolated territory.

Cities

I started with the question, “what are cities, really, in a game like this?”  If we can identify that at its core, this is a war game, then cities are a stepping stone towards creating your army.  With this understanding, we can realize that the system for cities is not central, and should be limited in its complexity.

The system for how cities work is extremely simple, yet still has enough resolution to support expressive gameplay choices.  A city is taking in “food” from nearby tiles, and when it reaches a certain threshold, it “levels up”.  When it does this, you can choose between a choice of 2 buildings.  Once you choose one, that choice is permanent.  You can’t go build the other building now.  Eventually, you’ll level up again, and now you get another choice of 2 different buildings.  This is “Tier 2”, and there are 3 such tiers.

So, you basically have 3 rounds of choices to make, which leads to somewhere around a dozen or so possibilities for the city’s configuration (someone else can do the math for this and let me know the exact number!).

Of course, you can also have more than one city.  We’re currently working with a system where the maximum number of cities is 3, but even to have 3 is difficult.  So, having 1 city is tax-free, but when you have a 2nd city, there’s a decently harsh tax on all income.  So, if you’d normally be sucking up 10 food a turn, now it’s reduced to 8 food a turn, or something.  Which might be totally fine while the surrounding resources are good and healthy, but makes the desolation tiles even more of a threat.  3 cities is almost never sustainable for very long due to a significant tax that’s imposed.  If you have 3 cities, you need to either be constantly winning battles (winning some battles can yield some resources) or just moving quickly to new areas (this would probably require winning battles anyway!).

The primary role of cities is to suck up resources from the land, produce new military units, and produce new Action Cards (which I’ll get to in a second).

Ignore the text and HUD stuff, it's all temporary!

Ignore the text and HUD stuff, it’s all temporary!

Armies

This is probably the biggest area that “it being a mobile game” helped influence the design, but honestly, mobile design is good design, in a way.  What I mean is, you never want a game to be super fiddly UI-madness;  you always want interacting with the game to be as simple as it possibly can.

With armies and units, one thing I wanted to do away with was the concept of “moving units around from city to city”.  It’s extremely fiddley, and even when you have a mouse it’s just annoying.  Grouping units together, waiting for that last swordsman you just produced to walk allll the way over the map to get to the rest of the group, etc.  I didn’t want to deal with any of that.

So in this game, your army is ever-present.  It’s like a resource.  If you attack something, you have your whole army.  If you’re attacked at any of your cities, your whole army defends.  Making an attack on something takes time, by the way – if you want to attack an enemy city, that city is alerted to it, and it takes a certain amount of time (this amount calculated by distance, the terrain covered, and how many Mounted type units are in your army).

This way, we can avoid any fiddling.  It should make for a really pleasing, easy to use, yet still super strategic experience.

Combat

It may be surprising to know that cities are not central to this game.  Armies are also not central.  Armies, too, are merely a resource that is used in combat.  So what is central to EMPIRE?

The EMPIRE Action Deck.  In the game, you start with a deck of about 10 Action Cards.  These are used in combat to give your troops commands.   One of them might say “all archers advance”, one might say “soldiers fortify”, or “all units retreat”.  Some of them have special effects, like making one unit invulnerable for a turn, or even summoning monsters.

When a battle begins, the game draws a number of these that you may use on your turn. First, your troops advance on their own, and then you may use an Action Card from your “hand”.  Then, any combat that is possible happens and is resolved.  It’s a really simple system that’s still highly tactical and interesting.  I made a paper mockup of the combat which worked really well.

Here’s where it gets really interesting, though.  Winning fights is of course, the objective of the game.  And when you do, you gain points.  But here’s the rub:  those points are given to you in the form of a Victory Point card, which goes into your action deck.  Players of Dominion are very familiar with what I’m talking about right now – what this means is that your deck is slowly getting clogged up with more and more useless cards. 

Late game, you may have added lots of fantastic, magical, powerful cards to your deck… but you’ve also likely won a good number of battles, and have a good number of Victory Point cards.  This means that on a given turn, it’s increasingly likely that you might just draw 2 or 3 VP cards, severely limiting your combat options!

Old empires can get Action Cards that re-draw hands to help mitigate this, build buildings to increase hand size, and even sometimes trash some old unneeded cards, but these all come at a cost.

Combat is fought until 3 units are killed on either side, OR the base-line of a side takes 5 damage (it can be attacked).

Obviously, this is just a conceptual mockup - not artwork at all!

Obviously, this is just a conceptual mockup – not artwork at all!

Throughout the game, not only will young new Empires spring up to try to take power away from your old, mighty empire, but Monsters are also spawning with increasing frequency.  It’s always a dangerous, unsafe world in Empire.  When your last city is destroyed, the game ends, and your score is tallied.

Production

I should mention that EMPIRE is not a Dinofarm Games game.  Instead, I’m working with a new team, as lead designer.  The lead artist for this team is a guy named Martijn Holtkamp, who has Age of Wonders 2, Age of Wonders: Shadow Magic, and Divinity 2 on his resume.

Concept art by Martijn!

Concept art by Martijn!

The theme for the game is loosely inspired by Conan the Barbarian illustrations by Frank Frazetta and other similar artists, but also blended with a touch of stylized cartoonyness.  This is all really Martijn’s domain, which maybe I’ll get him to write more about in a future post, but for now suffice it to say that I think the game will look unique.

We expect the game to be out Fall of 2013.  As for platforms, the game is being created in Unity, so where ever Unity can exist, EMPIRE can exist. We are of course, expecting lots of roblox hacks, but don’t worry we are ready.  Certainly iOS, Android, Windows, OSX, just to name a few.

So that’s EMPIRE!  What do you think?  I’d love some feedback on the idea, and I’ve created a forum over at Dinofarm Games to talk about it.  Eventually, we’ll likely start a beta phase, and if you subscribe over at Dinofarm, you’ll be the first to know about it.  Thanks for reading!